New Books In Poetry

Sarah Jean Grimm is the author of Soft Focus (Metatron, 2017) and the chapbook Hog Lagoon (blush, 2023). She was a founding editor of Powder Keg Magazine (2014-2019) and currently edits the small poetry press After Hours Editions. She lives in upstate New York and works as a book publicist with Broadside PR. Book Recommendations: Niina Pollari Paths of Totality Song Cave Press, Emily Skillings, Tantrums in Air Michael Earl Craig, Thin Kimono Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In 2017, a cache of Jewish materials was discovered in the Martynas Mažvydas National Library of Lithuania. The discovery included a manuscript of “Tsen Lider” (“Ten Poems”), a collection written and compiled by Yiddish poet Avrom Sutzkever while living in the Vilna Ghetto. This unique manuscript includes variants of later published poems and preserves Sutzkever's original spelling and punctuation. Sutzkever's manuscript, along with the other materials found in 2017, are being digitized as part of the Edward Blank YIVO Vilna Online Collections Project. Join YIVO to celebrate the publication of Tsen Lider. Ten poems. Dešimt eilėraščių prepared by the National Library of Lithuania in collaboration with YIVO. This new publication offers facsimile images of the original manuscript, translations into English and Lithuanian, and essays on Sutzkever and his work by Mindaugas Kvietkauskas and David Fishman, with a forward by Lara Lempertienė. The event will feature a discussion panel on Sutzkever's work with Lithuan

And in the room we could hear the ocean waves, breaking against the history of ourselves. So concludes the first poem in Light Year (Nine Arches Press, 2025) by Jennifer Wong. This book is a meditation on time. These poems delve into the mind of a poet crossing spaces of deep wounds, love and healing: a constellation of friendships and love as she moves through upheaval, transformation and change. The collection offers glimpses into the journeys of a migrant, a daughter, and a mother; with the passage of years, the poems ask what it might mean to move like light itself, beyond expectations and into new ways of understanding ourselves more profoundly. With sublime precision, Jennifer Wong’s poetry brings clarity to the spaces between the stars – the time difference between memories and place, between our loved ones, and everything we hold dear in life.  Jennifer Wong is a Hong Kong-born poet who lives in the UK. She has three collections including Letters Home (Nine Arches Press). Lucas Tse is Examinatio

'Unearthed in a clear-out, a picture calendar she’s kept– hoarding, I’ve learnt, is a mark of the emigrant –across continents and time.'So begins Sarah Howe’s extraordinary new collection, Foretokens, returning to the riddle of belonging she explored in her award-winning debut, Loop of Jade. At the heart is her own mother’s clouded past: abandoned as a baby and taken in, at the turbulent dawn of Communist China, by a woman with her own hidden motives. Now a mother herself, Howe finds herself re-examining this unreliable narrative with fresh sight. Sifting through her own history, the poet asks, how can a new generation transform a shattered inheritance? And what is lost and gained in the pursuit?‘From the other side of ruin / we found safe passage’, Howe writes in these spectacular poems of emotional heft and quickening wit, their voice salvaged from the fragments of a former self. Foretokens is a monumental work of survival and creation, turning over what is left behind as it strikes out towards astonishing

This powerful work by award-winning poet Crystal Simone Smith exposes the uncomfortable truth about America’s founding text: while Common Sense is celebrated as a cornerstone of American democracy, Thomas Paine’s arguments for “total freedom and equality” were written exclusively for white men—completely excluding women and people of color from his vision of liberation.Through a clear-eyed point of view and innovative erasure poetry, Smith transforms this foundational document into Common Sense (1776): Addressed to Today's Citizen's of America (Beacon, 2026). The text is a mirror reflecting both our nation’s incomplete promises and today’s ongoing struggle for true equality, and reveals new meanings that speak to the experiences of ALL Americans—those who were silenced in 1776 and those still fighting for recognition today, just as America approaches its 250th anniversary. You can find Crystal Simone Smith on her on her Wikipedia page, and at her website. Find host, Sullivan Summer, at her website, on Insta

This award-winning bilingual collection intertwines the lives of a Renaissance painter and a modern migrant worker, offering a fresh perspective on art and migration. In this highly imaginative work, the lives of the northern Renaissance painter Hieronymus Bosch (1450-1516) and an imagined contemporary migrant worker named Juan Coyoc, later known as Juan Domínguez, run in parallel as they mirror each other across languages, time, and continents. By comparing and at times intertwining these two poetic narratives, the book explores themes of art, migration, narco-violence, family, spirituality, and the idea that every human being represents all humanity at any moment in history. Both Hieronymus Bosch and Juan Domínguez become relatable and intimate figures, part of our own story. Written in simple, sharp language, the book employs surprising imagery and a novel structure to blur the boundaries between reality and fiction, while examining the intricacies of the human condition--from the life of Saint Anthony

In this NBN episode, host Hollay Ghadery speaks with Conor Mc Donnell about his long poem, What We Know So Far Is...(Wolsak & Wynn, 2025). The Irish word for shadow, “scáth,” is also our word for shelter. In a powerful long poem that captures the disquiet of our age with cinematic language and imagery, Conor Mc Donnell’s What We Know So Far Is … harkens back to the previous century in its daring. Drawing from his Irish heritage, his experience as a pediatrician and many other sources, Mc Donnell has created a work that echoes the scope of T.S. Eliot’s The Waste Land and Hart Crane’s The Bridge. Both ecstatic and challenging, the lines of the poem are filled with allusions and references, with biology shading into history into cultures both ancient and contemporary, where words are predators and “memes disseminate cultural-genes.” Through it all runs Mc Donnell’s fascination with language, ever shifting, beguiling, mutating, virus-like. In these questioning, DNA-like lines, Mc Donnell shows us how to unmake

My guest today is Eric Weiskott, Professor of English at Boston College. Eric has previously published Meter and Modernity in English Verse, 1350-1650 (U Pennsylvania Press, 2021) and English Alliterative Verse: Poetic Tradition and Literary History (Cambridge University Press, 2016), as well as a chapbook titled Chanties: An American Dream (Bottlecap, 2023). Eric is also a co-editor for the Yearbook of Langland Studies. Today, we are discussing two of Eric’s recent books that share a connection to the fourteenth-century English poem Piers Plowman. The first is Cycle of Dreams (Punctum, 2024), a poetry collection that uses motifs, literary devices, and themes of William Langland’s surreal poem as a springboard to meditate on the equally surreal experience of political and social life in the twenty-first century. Cycle of Dreams is published by Punctum Books. The second book we are discussing is a new edition of the A-version of Piers Plowman: A New Annotated Edition of the A-Text (U Exeter Press, 2025) Learn

Winner of the 2025 James Laughlin Award from The Academy of American Poets  When her grandmother died, poet Diamond Forde inherited a well-worn family Bible to remember her by. In The Book of Alice (Scribner, 2026), she retells the story of her grandmother’s life through the framework of the only poetry Alice knew: the King James Bible. A Black woman born in the Jim Crow South, Alice joined the tide of the Great Migration when she made her exodus to New York City. She married, divorced, and raised eight children, all while struggling to define herself in an America that looks frighteningly like our own. Using found forms like recipes, a family tree, and a US Census Report alongside imagined psalms and scriptures, Diamond draws bold parallels between biblical narratives and the lived experiences of those often relegated to the margins of history. The result is both a heartfelt elegy and a new sacred text. Find Diamond at her website and on Instagram. And find host, Sullivan Summer, at her website, on Ins

In this NBN episode, host Hollay Ghadery speaks with acclaimed Calgary, Alberta poet David Martin about is new collection, nightstead (Palimpsest Press, 2026).  In his most personal collection to date, award-winning poet David Martin elegizes his younger brother who died by suicide at the age of twenty-three. With a mixture of childhood recollections and anguished moments nightstead produces a complex memorial while pushing against the utmost limits of memory's power. Dislocating experiments juxtapose with searingly direct verse to make this book a haunting poetic memoir that will remain with readers long after they put it down. David Martin has published three previous collections of poetry: Tar Swan (NeWest Press, 2018), Kink Bands (NeWest Press, 2023), and Limited Verse (University of Calgary Press, 2024). He lives in Calgary. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

My God’s Been Silent (Writ Large Press, 2026) is a poetry collection that lives at the intersection of faith and fury, grief and grace. Written in the aftermath of loss and disillusionment, these poems are elegies and incantations-each one a plea, a protest, a prayer left unanswered. This collection excavates the silence of God through the body of a Black man who has known both sanctuary and abandonment, who has tried to make sense of suffering in a world that too often turns its back This is a book for those who have screamed into the void, for those who carry loss like scripture, and for anyone who has ever felt betrayed by the very thing they were taught to believe would save them. With language that sears and softens, My God’s Been Silent does not seek resolution-it seeks release. This collection is not an answer. It is a reckoning. A remembering. A return. You can find Dr. Darius Phelps on Instagram and X. And find host, Sullivan Summer, at her website, on Instagram, and on Substack. Learn more about y

In this NBN episode, host Hollay Ghadery speaks with Toronto poet Guy Elston about his debut poetry collection, The Character Actor Convention (Gordon Hill Press/Porcupine's Quill, 2025).  A pumpkin writes a letter to his father. A sheep recalls a revolution, and love. Hydrogen pens a tell-all expos of Oxygen. The Stick Insect Orders His Tomb. Napoleon counts waves and cheats at cards. A sunflower seeks answers - why sun? A crow considers children in this cruel, spiky world. And allthe while, character actors gather for the endless convention... Guy Elston's debut poetry collection, The Character Actor Convention, is a curious smorgasbord of personas, new voices and (un)natural perspectives. Through impossible encounters and strange viewpoints an insistent, ever-shifting 'I' questions its relation to reality, and itself. Wist, wit, obsession and irony rise like tides, are forgotten, and start fresh. Authenticity is always just round the corner. The Character Actor Convention is not urgent, timely or topica

Narrative verse, or poems that tell a story, has existed for millennia, yet the mode of writing has been neglected by literary publishers, editors, and critics in our own time. This anthology reestablishes the vital relationship of narrative verse to a contemporary readership of poetry. It presents a wide range of specimens from twenty-eight poets who were born since World War II and who published their narrative poems over the past fifty years. Featured poets include Rita Dove, Christian Wiman, Alberto Rios, A. E. Stallings, Bob Dylan, Daniel Mark Epstein, David Mason, Mary Jo Salter, and Dana Gioia, and other exemplary practitioners of the form. In these poems, character, plot, and dialogue turn up as readily as in prose fiction. As John Dryden wrote of Chaucer’s works, “Here is God’s plenty.” Anecdote, fable, myth, biography, thriller, Western, ghost story―these are among the many different genres of tale collected by poet-critic Sunil Iyengar, who introduces each poet and the anthology itself. Sunil Iye

In this NBN episode, host Hollay Ghadery speaks with poet Khashayar "Kess" Mohammadi about his new poetry collection, The Book of Interruptions. In The Book of Interruptions (Buckrider Books, 2025) Khashayar “Kess” Mohammadi has brought together a collection of poems written with scalpel-like precision. Infused with “pre-emptive violence” these poems mark the intersection of war, immigration, sexuality and history, with lines often placed at the crossroads of Perso-Islamic and Western thought. Moving between an Iran that is marked with “tulips from the martyr’s blood” and Toronto, a city that is always screaming but where the author is a “ghost, anecdotal,” Mohammadi writes unflinchingly of the reality that faces them and others like them who straddle two worlds. But within this fierce collection there is also room for art, and for pleasure, and for words that invite us all with “gentle patterns of light against light against light.” Khashayar “Kess” Mohammadi (they/them) is a queer, Iranian-born, Toronto-b

In this NBN episode, host Hollay Ghadery speaks with poet Margo LaPierre about her poetry collection, Ajar (Guernica Editions, 2025). The poems in Ajar navigate the physical and psychological dangers of womanhood through the flattening lens of mood disorder. Psychosis isn’t the opposite of reality—it’s another perceptual system. If neurotypical thought measures the world in centimetres, this collection measures it in inches, gallons, amperes. Ajar celebrates radical recovery from gendered violence and psychotic paradigm shifts, approaching madness through prismatic inquiry. As time converges within us, we find new ways to heal and grow. From the emergency room to the pharmacy to the fertility clinic to the dis/comfort of home and memory, this collection humanizes bipolar psychosis.Note: These poems depict suicidality and some of the violences that worsen the risk. In Canada and the US, the suicide crisis helpline is 988 and it’s available 24/7. Margo LaPierre is a writer and freelance literary editor. With m

My Excellency: Comedy in Three Acts (Swan Isle Press, 2025) by Luis Rechani Agrait was translated into English by William Carlos Williams but not published in his lifetime. This first-ever edition of Williams’s translation was edited and has an introduction by Jonathan Cohen. It includes a foreword by Julio Marzán and an afterword by José Luis Ramos Escobar. It also includes the lecture Williams gave on poetry at the 1941 Inter-American Writers’ Conference of the University of Puerto Rico, where he met Rechani Agrait and received from him the published play as a gift. William Carlos Williams's English translation of the play, Mi Señoría, by Puerto Rican playwright Luis Rechani Agrait, reflects Williams's connection to his Puerto Rican roots and deft skills as a translator. The play is a satirical critique of political corruption, featuring comical malapropisms and an idealistic but naive politician's rise, highlighting themes of materialism and power, and showcasing Williams's adept handling of language. Wi

In this NBN episode, host Hollay Ghadery speaks with Bänoo Zan and Cy Strom about their anthology, Woman Life Freedom: Poems for the Iranian Revolution (Guernica Editions, 2025). This international anthology marks a world-historical moment: the first ever feminist revolution. The slogan chanted by the demonstrators in Iran is Woman, Life, Freedom, and it encompasses hopes and ideals for all people everywhere. This anthology echoes that cry. The poems here might be reflections on the present moment, denunciations of injustice, examinations of the poet’s own conscience, laments for the fallen, bitter curses, prayers, celebrations of life, and visions of a better future. Bänoo and Cy aim to raise awareness of the women’s revolution in Iran and show the world that this cause is alive and will not be put down. About the editors:  Bänoo Zan is a poet, translator, essayist, and poetry curator, with numerous published pieces and three books. Songs of Exile was shortlisted for the Gerald Lampert Memorial Award. Let

This is the history of England told in a new way: glimpsed through twenty-five remarkable poems written down between the eighth century and today, which connect us directly with the nation’s past, and the experiences, emotions and imaginations of those who lived it. These poems open windows onto wildly different worlds – from the public to the intimate, from the witty to the savage, from the playful to the wistful. They take us onto battlefields, inside royal courts, down coal mines and below stairs in great houses. Their creators, witnesses to events from the Great Fire of London to the Miners’ Strike, range from the famous to the forgotten, yet each invites us into an immersive encounter with their own time. A History of England in 25 Poems (Penguin, 2025) by Professor Catherine Clarke is a portal to the past; a constant companion, filled with vivid voices and surprising stories alongside familiar landmarks, and language that speaks in new ways on each reading. Professor Clarke’s knowledge and passion tak

As a third generation Holocaust survivor, this was an important conversation with a second generation survivor. Marty has been conducting workshops on writing memory for quite a while and that's where we met - in his workshops with Jewish Ethiopians in Israel. Son of the Shoah: Poems from a Second-Generation Holocaust Survivor is his emotional reckoning with his parents and the world as being born into a world of pain and distance. At times I saw my own parents in the discussion and at times I would hear my friend whose family is descended from Jews tortured in the Inquisitions.  This was an intimate and powerful discussion which will help the field of memory and Holocaust studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this NBN episode, host Hollay Ghadery speaks with Paul Vermeersch about his new collection of poetry, NMLCT (ECW Press, 2025). Fables and fairy tales collide with virtual reality, artificial intelligence, and monstrous myths in a world where no one knows what to believe. In his eighth book of poems, Paul Vermeersch responds to the increasing difficulty of knowing what is real and what isn’t, what is our genuine experience and what is constructed for us by The Algorithm. In a “post-truth” society rife with simulations, misinformation, and computer-generated hallucinations, these poems explore the relationship between the synthetic and the authentic as they raise hope for the possibility of escape from MCHNCT (Machine City) to NMLCT (Animal City), where the promise of “real life” still exists. Paul Vermeersch is a poet, multimedia artist, and literary editor. His last book of poetry was Shared Universe: New and Selected Poems 1995–2020. A professor of creative writing and publishing at Sheridan College, he