New Books In Poetry

Compiled around 1235, the Ogura Hyakunin Isshu, or Ogura's 100 Poems by 100 Poets, is one of the most important collections of poetry in Japan. Though the poets include emperors and empresses, courtiers and high priests, ladies-in-waiting and soldier-calligraphers, the collection is far more than a fascinating historical document. As the translators, James Hadley and Nell Regan, note in A Gap in the Clouds: A New Translation of Ogura Hyakunin Isshu (Dedalus Press, 2020), "these beautiful poems have endured because their themes are universal and readily understood by contemporary readers". Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this episode, I interview Anna Veprinska about her book Empathy in Contemporary Poetry after Crisis (Palgrave Macmillan, 2021) recently published by Palgrave Macmillan. In it, Veprinska examines the representation of empathy in contemporary poetry that responds to moments of traumatic crisis, focusing specifically on the Holocaust, the September 11, 2001 terrorist attacks, and Hurricane Katrina. Rather than taking a straightforward approach that uncritically heralds empathy, Veprinska explores the various techniques poets use that invite and refuse empathy, thereby displaying empathetic dissonance, a term that Veprinska coins to describe the struggle poets and poetry have with the question of the value and possibility of empathy in the face of the crises to which they respond. Veprinska’s text is anchored by a tripartite structure of negation in which she explores the unsaid, the unhere, and the ungod, all of which deal with the internally fractured and dissonant nature of poetic empathy. By mingling textu

Juliane Okot Bitek, of the Emily Carr University of Art and Design and writer-in-residence at Simon Fraser University, has written a terrific book of poetry on the 1994 Genocide of Tutsi in Rwanda. Published in 2016 by the University of Alberta, and simply titled, 100 Days (University of Alberta Press, 2016), Okot Bitek’s poetry is a form of witnessing violence that records the senseless loss of life in a way that reminds us violence is human and universal. Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of (white, foreign) producing academic knowledge about African places and people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

This episode covers a range of topics from Old’s use of line breaks (enjambment that runs contrary to the tedious, end-stopped rhyming lines of hymnals) to the degree to which any art work can be really considered to be autobiographical as artists work from intuition. The episode features Olds reading from two of her poems in Arias (Knopf, 2019). Sharon Olds is the author of twelve books of poetry. Arias was short-listed for the 2020 Griffin Poetry Prize and her 2012 collection Stag’s Leap won both the Pulitzer Prize and England’s T. S. Eliot Prize. Olds is the Eric Maria Remarque Professor of Creative Writing at New York University’s Graduate Creative Writing Program. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.

In 2013, poet Lauren Russell acquired a copy of the diary of her great-great-grandfather, Robert Wallace Hubert, a Captain in the Confederate Army. After his return from the Civil War, he fathered twenty children by three of his former slaves. One of those children was the poet’s great-grandmother. Through several years of research, Russell would seek the words to fill the diary’s omissions and to imagine the voice of her great-great-grandmother, Peggy Hubert, a black woman silenced by history. The result is a hybrid work of verse, prose, images and documents that traversed centuries as the past bleeds into the present. Lauren Russell is the author of Descent (Tarpaulin Sky Press, 2020) and What’s Hanging on the Hush (Ahsahta Press, 2017). She has received fellowships from the National Endowment for the Arts, Cave Canem, and the Wisconsin Institute for Creative Writing, and work has appeared in various publications, including the The New York Times Magazine and the Academy of American Poets’ Poem-a-Day. She w

Tara Skurtu is an American poet and writer, writing coach, and public speaker. She speaks to managing editor Emily Everett about “Offering,” her poem from Issue 19 of The Common magazine. “Offering,” and many more of Skurtu’s poems, are set in Bucharest, Romania, where the poet has lived for several years. Skurtu discusses the inspiration and process behind the poem, her thoughts on teaching creative writing, and her time studying with poet Louise Glück. This conversation also includes the story behind the International Poetry Circle, an online poetry-reading initiative Skurtu started on Twitter in the early days of the pandemic. Tara Skurtu is a two-time U.S. Fulbright grantee and recipient of two Academy of American Poets prizes, a Marcia Keach Poetry Prize, and a Robert Pinsky Global Fellowship. She holds an MFA in Creative Writing from Boston University, where she studied with Nobel Laureate Louise Glück and three-term U.S. Poet Laureate Robert Pinsky. Her poems are published internationally and translate

Roy G. Guzmán’s Catrachos (Graywolf Press, 2020) is a stunning debut collection of poetry that immerses the reader in rich, vibrant language. Described as being “part immigration narrative, part elegy, and part queer coming-of-age story,” this powerful collection blends pop culture, humor, with Guzmán’s cultural experience to explore life, death, and borders both real and imaginary. “This isn’t supposed to be a history book, and yet it is,” says Guzmán in discussing Catrachos. It’s not supposed to be anthropology, sociology, or a testimonial either, and yet it is. “Those are the contradictions, especially when you’re a marginalized writer, your words are always operating on so many different frequencies at once.” “It is not a fallacy that the pulpería owner who wakes up dressed in a tunic of warriors’ pelos, or the milkman pressing his rough hands against the cow’s tectonic body, remembers the skirted boy with an ovarian lipstick for a tongue, the boy who offered a tenth of his knees to the teeth of a country

Like a storm waiting to break over a plain, Shakira Croce pulls at tensions and heartstrings in a debut collection filled with longing, wit, and intelligence. Through masterful imagery, Croce floats between the rural and urban with ease, pulling back the veil to see what lies beneath. These poems do not shy away from looking at life in all its beauty, violence, or complexities because within those boundaries we can begin to understand what it means to be human. As she writes in Homecoming, "It’s about finding/the space/to bring out what’s already/inside you." In Leave It Raw (Finishing Line Press, 2020), Croce makes that space and empties out the heart for all to see. Shakira Croce’s poetry translations have appeared in Babel magazine, and her poetry has been featured in several literary magazines and journals, including the New Ohio Review, Pilgrimage Press, HIV Here & Now, Transactions, Ducts, pioneertown, Permafrost Magazine, and Shark Reef. She was a featured reader in the Boundless Tales Reading Series,

In Freedom Knows My Name (Xavier Review Press, 2020), Kelly Harris-DeBerry creates the world anew from scraps of memories and rhythm. She bounces between the pages, as well as the accompanying audio version of the poems, with confidence. Kalamu Ya Salaam writes in the introduction “The poet’s task is to turn words into song, utter incantations that heal, inspire, be more than ordinary talk” and Harris-DeBerry has a voice that encompasses each other those tasks. It is strong and it is unwavering. Whether she is on the page or in readers’ ears, Harris-DeBerry’s poetry is a bounty of culture, womanhood, home, and possibility. In an age where everything can be, and is, commodified for profit and the cool factor yet the actual Black artists producing the work can be undervalued, Harris-DeBerry’s poetry honors and respects the legacies of Southern migration, the Midwest, and Blackness. Kelly Harris-DeBerry received her MFA in Creative Writing from Lesley University in Cambridge, Mass. She has received fellowships f

A radical and vivid rendering of poetry from the first Buddhist nuns that brings a new immediacy to their voices. The Therigatha ("Verses of the Elder Nuns") is the oldest collection of known writings from Buddhist women and one of the earliest collections of women's literature in India. Composed during the life of the Buddha, the collection contains verses by early Buddhist nuns detailing everything from their disenchantment with their prescribed roles in society to their struggles on the path to enlightenment to their spiritual realizations. Among the nuns, a range of voices are represented, including former wives, women who lost children, women who gave up their wealth, and a former prostitute. In The First Free Women: Poems of the Early Buddhist Nuns (Shambhala), Matty Weingast revives this ancient collection with a contemporary and radical adaptation. In this poetic re-envisioning that remains true to the original essence of each poem, he infuses each verse with vivid language that is not found in other

Yehoshua November's second poetry collection, Two Worlds Exist (Orison Books), movingly examines the harmonies and dissonances involved in practicing an ancient religious tradition in contemporary America. November's beautiful and profound meditations on work and family life, and the intersections of the sacred and the secular, invite the reader--regardless of background--to imaginatively inhabit a life of religious devotion in the midst of our society's commotion. Yehoshua November's first poetry collection, God's Optimism, won the Main Street Rag Poetry Book Award and was a finalist for the LA Times Book Prize. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithu

Pamila Gupta’s Portuguese Decolonization in the Indian Ocean World: History and Ethnography (Bloomsbury Academic Press, 2020), takes a unique approach to examining decolonization processes across Lusophone India and Southern Africa, focusing on Goa, Mozambique, Angola and South Africa, weaving together case studies using five interconnected themes. Gupta considers decolonization through the twined lenses of history and ethnography, accessed through written, oral, visual and eyewitness accounts of how people experienced the transfer of state power. She looks at the materiality of decolonization as a movement of peoples across vast oceanic spaces, demonstrating how it was a process of dispossession for both the Portuguese formerly in power and ordinary colonial citizens and subjects. She then discusses the production of race and class anxieties during decolonization, which took on a variety of forms but were often articulated through material objects. The book aims to move beyond linear histories of colonial in

In The Spinning Place (Southern Indiana Review Press, 2019), Chelsea Wagenaar explores the power of language—in terms of its possibilities and what it fails to express. As a being with a body in the world, there are so many experiences that are inexpressible. These poems attempt to touch upon those experiences, relating what it means to have a body, one that carries so many things, from children in the womb to the emotional weight of our relationship to others and the world around us. As Wagenaar lyrically examines everyday moments, her words reach for an ecstatic experience of the sacred. Moon-sliced star-pocked streetlit bleat, coal train moving like its own ghost along the tracks. 2:00, 3:00, my shadow sways as I catch myself, hand on the wall, pulled from bed by your nocturnal haunt, you at your crib rail, blanket clutched, more sound than body. — from “Night Shift”   Chelsea Wagenaar is the author of two collections of poetry, most recently The Spinning Place was winner of the 2018 Michael Waters Prize.

Jennifer J. Davis speaks with Honorée Fanonne Jeffers, Professor of English at the University of Oklahoma, about The Age of Phillis (Wesleyan UP, 2020), Jeffers’s latest collection of poems centered on the remarkable life of America’s first poet of African descent, Phillis Wheatley Peters. The Society of Early Americanists recently selected The Age of Phillis as the subject for their Common Reading Initiative for 2021. Prof. Jeffers has published four additional volumes of poetry including The Glory Gets and The Gospel of Barbecue, and alongside fiction and critical essays. She lives in Norman, Oklahoma. In The Age of Phillis, Jeffers draws on fifteen years of research in archives and locations across America, Europe and Africa to envision the world of Phillis Wheatley Peters : from the daily rhythms of her childhood in Senegambia, the trauma of her capture and transatlantic transport, to the icy port of Boston where she was enslaved and educated. In our conversation, Jeffers speaks to the origins of this pro

Devil's Lake (Tolsun Books, 2020), the debut collection by Sarah Sala, is an amalgam of American life. The poems move deftly within a world that is equal parts dangerous, celebratory, subdued, modern, and rural. Sala uses format and form to bring the spotlight to American violence with just as much care as she does queerness. From the gentle retelling of a brutal murder to the capturing of memories beginning to fade from a grandmother's mind, Devil's Lake honors each of its topics. It is through the collection's three sections readers are invited to look not only at themselves, but each other for the threads that hold in that which makes us who we are. Sarah M. Sala is a poet, educator, and native of Michigan with degrees from the University of Michigan and New York University. She is the recipient of fellowships from Poets House, The Ashbery Home School, and Sundress Academy for the Arts. Her work appears in BOMB, Poetry Ireland Review, Michigan Quarterly Review, and The Southampton Review, among others. The

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020) Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanati

Kathryn H. Ross has found a balance. Between past and present. Between self and ancestors. Between self-discovery and continuous growth. In her hybrid collection, Black Was Not a Label, Ross invites readers into a life unfurling. Through the lenses of natural hair, faith, and microaggressions, she lights a path to what it means to seek self while still honoring the past lives, personal and historical, that connect us all. Black Was Not a Label (Pronto, 2019) is as soft as it is sharp. Ross is a writer of humanness, one who finds more interest in what we feel than theme. Yet, even in this general warmth, she manages to hone in on topics that have rippled throughout generations. Readers are not allowed to look away from the sometimes ingrained expectations of assimilation nor are we allowed to put down the weight of all that came before us. What she gives us in this collection are the means to carry it with grace and the hope it will become a little lighter. Kathryn Ross is a Southern California based writer an

This is a book of encounters. Part memoir, part essay, and partly a guide to maximizing your capacity for fulfillment and expression, The Poetry of Everyday Life: Storytelling and the Art of Awareness (Cornell University Press, 2016) taps into the artistic side of what we often take for granted: the stories we tell, the people we love, the metaphors used by scientists, even our sex lives. A folklorist, writer, and cultural activist, Steve Zeitlin explores how poems serve us in daily life and how they are used in times of personal and national crisis. In the first book to bring together the perspectives of folklore and creative writing, Zeitlin explores meaning and experience, covering topics ranging from poetry in the life cycle to the contemporary uses of ancient myths." This convergence of poetry and folklore," he suggests, "gives birth to something new: a new way of seeing ourselves, and a new way of being in the world." Written with humor and insight, the book introduces readers to the many eccentric and

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as P

Endless Song (Oxford University Press, 2019) is Dr. Archana Venkatesan’s exquisite translation of the Tiruvaymoli (sacred utterance), a brilliant 1102-verse ninth century tamil poem celebrating the poet Nammalvar’s mystical quest for union with his supreme lord, the Hindu great god Viṣṇu. In this interview we discuss the sophisticated structure and profound content of the Tiruvaymoli, along with the translator’s own transformative journey rending into English the meaning, emotion, cadence and kaleidoscopic brilliance proper to this Tamil masterpiece. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices