Scratching The Surface

In a special mini-series for the month of June, I'll be interviewing a few of my professors at MICA who advised my thesis project and helped shape this podcast. First up is Kristian Bjørnard, a designer, educator, and sustainabilitist, who I met two years ago when I took his Interactive Design class. Kristian and I bonded over a shared love of design theory, reading, history. In this episode, Kristian and I talk about his background and how he got into design, bringing theory and criticism into the classroom, and his deep interested in sustainable graphic design and what that means for both the practitioner and the critic. Links from this episode can be found at scratchingthesurface.fm.

Abbott Miller is a designer, writer, and a partner at Pentagram where he leads a team designing identities, exhibitions, and books. Before Pentagram, Abbott ran a studio, Design Writing Research, with Ellen Lupton and wrote for publications like Eye, Print, and I.D. A monograph of his design and writing, called Design and Content, was published in 2014. In this conversation, Abbott and I talk about where his interest in critical theory came from and how he's worked to incorporate it into his design work, using writing to find new ways into design, and how his various interests have come together in his current work designing exhibitions at Pentagram. Links from this episode can be found at scratchingthesurface.fm.

Emily Smith is a designer, researcher, educator, and visual anthropologist based in Berlin. She is currently professor and Head of Communication Design at BTK University of Art and Design where she teaches a range of interdisciplinary, research-based design courses and lectures in design, fine art, anthropology, and architectural academic settings. In this episode, Emily and I talk about her journey through design to anthropology, how graphic design is like choreography, form as a container for ideas, and how research and anthropological processes can play a role in both practice and discourse. Links from this episode can be found at scratchingthesurface.fm.

Kenneth FitzGerald is a designer, writer, and educator. His writing has appeared in Emigre, Speak Up, Design Observer, and was collected in the 2010 book of essays, Volume. He's also on the founding board of AIGA's new academic journal, Dialectic, and steering committee member of the AIGA Design Educators Community. In this episode, Kenneth and I talk about his early writing for Emigre and how the design discourse has changed over the course of his career, the role of design criticism, and how he gets his students interested in writing and thinking critically about their work. Links from this episode can be found at scratchingthesurface.fm.

Peter Bil'ak is a designer, writer, type designer, and publisher based in the Netherlands. My introduction to Peter's work was through Dot Dot Dot, the magazine he co-founded and published with Stuart Bailey in the early 2000s and in this episode, we talk about the origins of that magazine as well as his new publication, Works That Work. We also talk about how he started writing and how that influences his work as a designer, shifting designing criticism from the perspective of the maker to that of the user, and the general representation of design magazines. Links from this episode can be found at scratchingthesurface.fm.

Molly Heintz is the chair of SVA's MA Design Research program and co-founder of the editorial consultancy Superscript. Prior to this, she studied classics and archeology and has worked at the architecture firms Gensler and Rockwell Group. In this episode, Molly and I talk about her journey from archeology to design, how to get more designers interested in criticism, writing for a general audience, and the goals of SVA's design criticism program. Links from this episode can be found at scratchingthesurface.fm.

Randy Nakamura is a designer, researcher, and one of my favorite writers from Emigre. His writing has appeared in Design Observer, Emigre, Task, Modes of Criticism, and Idea Magazine and he's worked as a designer at Jon Sueda's studio, Stripe, and served as design director at The Grateful Palate. He's currently at PhD candidate in the Critical Studies program at UCLA Architecture and Urban Design. In this rare interview, I talk with Randy about his journey from biology to design, how he started writing for Emigre, the similarities between architecture and design criticism, and how the design discourse has changed over his career. Links from this episode can be found at scratchingthesurface.fm.

Sara Hendren is a designer, artist, writer, and professor whose work centers around adaptive and assistive technologies, prosthetics, inclusive design, accessible architecture, and related ideas. She teaches inclusive design practices at Olin College in Massachusetts and writes and edits Abler, her site to collect and comment on art, adaptive technologies and prosthetics, and the future of human bodies in the built environment. In this episode, Sara and I talk about her own background and using design to manifest ideas in the world, the role of writing in her own design practice, and how teaches these ideas with her students. Links from this episode can be found at scratchingthesurface.fm.

Louise Sandhaus is a designer, educator, and writer based in Los Angeles. She teaches a variety of courses at CalArt and in 2013, published Earthquakes, Mudslides, Fires, & Riots, a book of graphic design from California. In this episode, Louise and I talk about how she stumbled into a critical theory class that changed her approach to design and her entire life, as well as form as language, and how writing a design history book changed how she designs. Links from this episode can be found at scratchingthesurface.fm.

Francisco Laranjo is a graphic designer based in Portugal and publisher of Modes of Criticism, a journal and research platform interested in critical graphic design. His writing has also been published on Design Observer, Eye, Creative Review, Grafik. In this episode, Francisco and I talk about Modes of Criticism and his goals for the project, parsing terms like critical and speculative graphic design, and how to use graphic design to critique politics, colonialization, and culture. Links from this episode can be found at scratchingthesurface.fm.

Helen Armstrong is a designer, educator, and writer. She's published two anthologies of design theory as well as a book on user-generated design and is currently associate professor of graphic design North Carolina State University. Prior to studying design, Helen's studies focused on literature, English, and critical theory and she's applied what she learned in her previous studies to graphic design. In this episode, I talk with Helen about her transition from academia to graphic design, the intersection of theory and practice, and the value in criticism and theory for practicing graphic designers.

In 2013, Jack Cheng self-published his first book, a novel called These Days, on Kickstarter. Before that, Jack was working as a designer in advertising in New York City while working on the book during his nights and weekends. Now based in Detroit, Jack just published his new book, See You in the Cosmos. In this episode, I talk with Jack about his transition from designing to writing, the similarities between designing digital products and writing fiction, and the intellectual questions he's asking himself in his work. Links from this episode can be found at scratchingthesurface.fm.

Liz Danzico is part designer, part writer, and part educator. She's currently the creative director at NPR, where she oversees both the visual and user experience of NPR's digital platforms and content; chair and co-founder of SVA's MFA in Interaction Design program; and has written about design for publications like Eye, Fortune, and Interactions Magazine as well as her own site, Bobulate. In this episode, I talk to Liz about the connections between design and writing, the role of criticism in her own work, and intersections between technology, media, journalism, and design. Links from this episode can be found at scratchingthesurface.fm.

Andy Chen and Waqas Jawaid are the founders of Isometric Studio, a New York design studio that promotes inclusion, equality & progress. Andy and Waqas were thesis critics at MICA in December and I sat down with them while they were in Baltimore to talk about their backgrounds in sociology and architecture influence their design practice, the value of design criticism in the contemporary design profession, and the type of design writing they'd like to see more of. Links from this episode can be found at scratchingthesurface.fm.

Anne Quito is a designer and writer currently working as a design reporter at Quartz. Anne is the founder of the design studio Design Lab 360 and a recent graduate of SVA's Design Criticism program. In this episode, I talk with Anne about her design background and her journey into writing, how to write about design for a general audience, and how she wrote her own job description when she joined the Quartz team as a "design reporter." Links from this episode can be found at scratchingthesurface.fm.

Ruben Pater, working under the name Untold Stories, describes his work as creating "visual narratives about geopolitical issues" and creating "new relations between journalism and design". He most recently is the author of the book, The Politics of Design, where Pater explores the cultural and political context of the typography, colors, photography, symbols, and information graphics that we use every day. In this conversation, I talk with Ruben about the book and the relationship between design and journalism, showcasing his process as the artifact, the importance of studying design outside of the traditional Western canon, and why he still calls himself a designer. Links from this episode can be found at scratchingthesurface.fm.

Rianne Petter and Mark Mulder are designers and researchers from the Netherlands. The couple operates independent practices that span graphic design, research, writing, and education. Last fall, the couple visited Baltimore to lead a weekend workshop on design research of Maryland Institute College of Art's graduate graphic design department and I sat down with them at the end of the weekend to talk about their own practice, the role of research in the graphic design process, and the differences between the design discourse of the Netherlands and the United States. Links from this episode can be found at scratchingthesurface.fm.

Jon Sueda is a designer, curator, and educator. He is the founder of the Stripe, a graphic design studio based in San Francisco specializing in printed material, identity, and exhibition work and the Chair of the MFA Design program at California College of the Arts. He's also curated the exhibitions for the CCA Wattis Institute for Contemporary Arts, the 25th International Graphic Design Biennial in Brno, Czech Republic, and SOMArts Cultural Center in San Francisco. In this conversation, Jon and I talk about his design background, the intersection of graphic design and curation, and studying under critics like Lorraine Wild and Jeffery Keedy at CalArts. Links from this episode can be found at scratchingthesurface.fm.

Prem Krishnamurthy is a designer, curator, and writer. He is a founding principle, with Adam Michaels, of the New York design studio Project Projects and founder and curator of P!, an experimental exhibition space in New York's Chinatown. Additionally, Prem is an editor for the art journal Paper Monument and on the board of directors for Triple Canopy. In August, I visited Project Projects's office to talk with Prem about these range of projects. Over the course of the conversation, we talk about the relationship between design and writing, the role of authorship, the false divide between form and content, and the writers he's been enjoying lately. Links from this episode can be found at scratchingthesurface.fm.

On this week's episode, I talk with Bryn Smith, a designer, writer, and editor based in New York City. Bryn is a graduate of SVA's Design Criticism MFA and the co-author of the new book, Twenty Over Eighty. We talk about her experience in SVA's program, what a design critic could do at major publications, and how to use design artifacts to write about larger cultural issues. Links from this episode can be found at scratchingthesurface.fm