Tv Talk Machine

Tim’s back from the ATX Festival in Austin and just before the Emmy season gets heated up, it’s time to talk about another hidden gem—“Moone Boy”. Plus, one of our listeners gets namechecked for helping to save “The Expanse”, Jason gets happily pedanted, and Tim gets a bunch of viewing tips from a data scientist. Tim Goodman and Jason Snell.

We’re back with a spoiler-free look at the finale of “The Americans,” which is now safe for you completists to watch. We also walk through Tim’s latest Power Rankings! for comedies, and an OG TVTM listener pays us a visit via letter. Tim Goodman and Jason Snell.

We veer deeply into the sabermetrics of television as Tim discusses the 10 best-written series on TV. Plus we spend a lot of time on the return of “Arrested Development”, from Netflix’s catastrophic PR campaign to Tim’s review of the new season. And as always, we leave a little bit of room for your tweets and emails, in which we learn yet another terrifying fact about Australia and discover which streaming service is a graveyard from which shows never return. Tim Goodman and Jason Snell.

Cancellation is in the news and we discuss the new rules of TV show cancellation and survival! Plus, vintage TV series that are ready to be reimagined, a guide to hidden gems in an age of peak TV, and we answer your letters. Tim Goodman and Jason Snell.

The art of a successful sophomore season, the little details that make a great TV performance, hidden gems, and crossover contenders. This episode has a low floor but a high ceiling. Tim Goodman and Jason Snell.

Sometimes the flaws are what make something interesting. That’s the case, Tim argues this week, with HBO’s “Barry” and BBC America’s “Killing Eve.” Plus, Tim and his colleague Dan disagree on the second-season directions of “Westworld” and “The Handmaid’s Tale.” And this film we once saw was reviled for its flaws But its flaws were what made us have fun Tim Goodman and Jason Snell.

Tim reveals big changes in his Power Rankings! with a bunch of new series entering the hallowed list of 21 top shows to watch right now. And after a whole lot of anticipation, here comes season 2 of “Westworld.” Tim’s seen the first five episodes and has an early review. Tim Goodman and Jason Snell.

We say goodbye to legendary TV producer Stephen Bochco, and then Tim reviews “Dangerous Book for Boys”, “Howards End”, “Killing Eve”, and “Legion” season two. Jason praises the just-completed seasons of “The Magicians” and “Counterpart”. And Listener Dean forces us to explain why we didn’t talk about “Roseanne.” Tim Goodman and Jason Snell.

In a tight and bright episode, Tim reviews the new season of “The Americans”, we go over some draft rules, and answer your letters. Tim Goodman and Jason Snell.

This week Tim reviews “The Mechanism”, from the director of “Narcos”, and Danny Boyle’s story of the Getty Family, “Trust”. Plus we muse about TV streaming fantasy drafts and readers have thoughts about what to do while folding laundry. Tim Goodman and Jason Snell.

This week Tim has some advice for the Obamas about their potential deal with Netflix, plus reviews of “Krypton” and yes, the CBS drama “Instinct.” Plus listeners have feelings about the ways that Netflix has wronged them. Tim Goodman and Jason Snell.

It’s hard to make a TV show even in an era of peak TV, but what’s even harder is finding an audience willing (and aware enough) to return for a second season. As “Atlanta”, “Jessica Jones”, “Sneaky Pete” and “Legion” return, why is it so hard to break through and reach viewers for a second season? Also, Tim reviews HBO’s “Barry” and the return of “Sneaky Pete”, and we still have time to fit in two classic reader letters about the past and future of foreign-language dubbing. Tim Goodman and Jason Snell.

This week Tim brings back the Power Rankings and reviews the new show from the creator of “Luther”, plus we have a whole lot of follow-up about Netflix season summaries, dubbing, and the Olympics. Finally, we may have reached Peak Cop/Not-a-Cop. Tim Goodman and Jason Snell.

The show is not cancelled! After a week off, we’re back to discuss Tim’s latest reviews—of “Everything Sucks”, “Final Space”, “McMafia”, and season two of “Atlanta.” Also, who’s winning the streaming wars? And we answer your letters. Tim Goodman and Jason Snell.

Are we living in a golden age for televised science fiction and fantasy? Tim thinks it might be possible. We discuss “Altered Carbon” and wonder if it’s just the latest in a string of prestige, high-profile series that have elevated the genre to new heights. Tim Goodman and Jason Snell.

So many reviews, so little time! In this tight-and-bright edition of the TVTM, we’ve got Tim’s reviews of three new series: HBO’s supernatural family drama “Here and Now”, Netflix’s spectacular sci-fi noir “Altered Carbon”, and Amazon’s Bulgarian FBI drama “Absentia”. Plus, a quick run through some letters about bad titles, “Detectorists”, cold hard cash, and the merits of remaining indoors. Tim Goodman and Jason Snell.

This week we talk about all the topics in Tim’s grab-bag column, including the roles of various premium cable channels in the TV landscape, the size of Apple’s TV budget, and the fate of Hulu. We also read your letters, including more praise of “Sad Spies” (“Patriot”), an Ohio geography update, and an Important Cricket Correction. Tim Goodman and Jason Snell.

This week Tim takes you under the sea for “Blue Planet 2”, tries to understand the origins of Steven Soderbergh’s “Mosaic”, and praises (one last time?) “Detectorists.” Then it’s time to muse about the role of a TV critic in the era of peak TV and if it’s better to bypass shows that you know aren’t worth anyone’s time. We close with a surprising range of listener letters from all over the world, and Ohio too! Tim Goodman and Jason Snell.

This week David Letterman returns to TV with a new Netflix interview show, Jason gets excited about Starz’s “Counterpart”, Tim dives in to Amazon’s new sci-fi anthology series “Philip K. Dick’s Electric Dreams”, and we ponder what is to become of the Fox network after it’s severed from its parent studio. Plus, Jason’s love letter to “Detectorists”, Tim jumps aboard the “End of the Fxxxing World” bandwagon, and a letter writer might have gaslighted us—or is it gaslit? Tim Goodman and Jason Snell.

It’s 2018 and we’ve got a fresh start! This week Tim ignores all the Golden Globes predictions, pans a network comedy, and is forced to pick some of his least favorite things of 2017. Plus, Jason takes possession of “screeners” and watches some sad spies. Tim Goodman and Jason Snell.