Studio Break

Ry Mccullough joins the podcast to share a range of work that include collage, sculpture, and installation through a variety of materials and processes that include creative writing, language, and intuition to explore what he describes as the “know and unknown.”

This week Jill Christian joins the podcast to discuss her abstract paintings which utilize mark making and a mix of intuitive process, some of which include the use of a grid and radial balance compositions that begin from flicking paint on the canvas.

Adam Fulwiler joins the podcast to talk about his paintings which are created through a variety of processes that included distilled autobiographical memories, language, and even games of chance.  His mixed media works incorporate an array of materials that include acrylic paint, spray paint, and paint skins on surfaces ranging from paper to woven canvas’s.

Derek Meier joins the podcast and we delve deep into his studio practice that explores a wide range of materials including acrylic paint, fabric, and polaroid photos.

Meredith Matthews joins the podcast to discuss her work which has investigated a range of figurative, animal, and landscape elements in rich and vivid detail.

This week Christina Renfer Vogel visits the podcast to discuss her paintings which are largely made from observations while also incorporating elements of abstraction and pattern.

Loring Taoka joins the podcast to talk about his recent abstract works, which utilize a wide variety of processes that include hand painting, airbrush, stencils, and vinyl cutters on panel and plexiglass.

This week Kate Kaminski visits the podcast to discuss some of her sculptural work that explores narrative and mythology as well as her more recent works, which largely focus on ceramic production and sculpture.

This week Donovan Widmer joins the podcast once again to share his recent series of works that investigate and catalog a variety of skin conditions as a way to discuss the cultural stigmas that surround them.

Paul Loughney returns to the podcast to discuss his meticulous and beautiful collage work made from printed analog materials.

This week Berenice Chavez shares her work which explores themes of family, love, separation, and belonging through a series of photographs of her family.

Beth Humphrey joins the podcast to share her colorful and layered collage works that utilize spray painted paper, acrylic, watercolor crayons and other materials.

This week Leah Schretenthaler discusses her background and process of creating laser etched silver gelatin prints in her recent series entitled: The Invasive Series of the Built Environment. Her work explores the impact of manmade elements and alterations that diminish the sacred landscape of Hawaii where she’s from.

Ziba Rajabi joins the podcast to discuss her colorful paintings, drawings, and mixed media installations created through layers of acrylic ink, paint, fabric, and other materials.   Her work is based off of intimate experiences and slowly fading memories of her homeland of Tehran (Iran) and where she currently resides in Fayetteville (Arkansas).

This week Emily Somoskey joins the podcast to talk about her mixed media works combining paint and collage media to examine how we experience actual space and psychological space simultaneously.

Scott Aigner joins the podcast to discuss his current work which explores nostalgia and pop culture through a variety of interdisciplinary approaches from tedious process based works, performance, and installation.

This week Alice Stone Collins joins the podcast to talk about her work, which examines the ordinary and universal through her mixed media works that incorporate paint, paper, and collage.

Nick Satinover returns to the podcast to share his latest series of print and mixed media works which will be accompanied by a series of original recordings using a Tascam 4-Track recorder.

This week Mitchell Johnson joins the podcast to discuss his paintings that explore color and shape through non-representational abstraction as well as representational works influenced by travels to Cape Cod, Asia, and Europe.

Eric Ockrassa opened his studio to discuss his colorful hard edge abstractions created through digital editing and planning, a vinyl cutter, and plenty of painters tape.